Vocal range – London Singing Institute https://www.londonsinginginstitute.co.uk World Class Singing Lessons in London Mon, 15 Jun 2026 12:18:03 +0000 en-GB hourly 1 https://wordpress.org/?v=6.7.5 What Is an Octave in Singing? A Simple Guide for Beginners https://www.londonsinginginstitute.co.uk/what-is-an-octave-in-singing-a-simple-guide-for-beginners/ https://www.londonsinginginstitute.co.uk/what-is-an-octave-in-singing-a-simple-guide-for-beginners/#respond Thu, 11 Jun 2026 11:54:15 +0000 https://www.londonsinginginstitute.co.uk/?p=18269 If you are new to singing, the word “octave” can sound more technical than it really is. You may hear a teacher say that two notes are an octave apart, that a singer has a range of two or three octaves, or that a melody jumps up an octave.

At first, this can feel confusing, especially if you are still learning how pitch works.

So, what is an octave in singing?

In reality, an octave is one of the most important and useful ideas in music.

Once you understand it, you begin to hear melodies more clearly, understand your vocal range more sensibly, and make better sense of the notes you are singing.

Question marks representing common singing questions for beginners

What an Octave Means

An octave is the distance between one note and the next note with the same name, either higher or lower.

For example, if you sing a C and then sing the next C above it, those two notes are an octave apart.

They are not the same pitch, but they share the same note name and sound closely related.

The higher C sounds like a brighter, lifted version of the lower C.

This is why octaves often feel familiar to the ear.

Even though the notes are different in height, they have a strong musical connection.

A melody sung in a higher octave may still feel like the same melody, only lighter or more elevated.

In singing, octaves help us understand how far apart notes are.

They also help us describe vocal range.

When someone says a singer can sing over two octaves, they mean the singer can move across a span of notes covering more than two complete note cycles.

Adult singing student developing vocal range with a microphone

Why Octaves Matter for Singers

Octaves matter because singing is not only about producing sound.

It is also about understanding pitch, direction and musical distance.

Many beginner singers know when a note feels “high” or “low”, but they may not yet understand how those notes are organised.

Octaves give structure to this experience.

They help singers recognise when a melody has moved into a higher area of the voice or when a phrase has returned to a more comfortable register.

Understanding octaves can also make lessons clearer.

If a teacher says, “Try singing that phrase an octave lower,” the singer knows that the melody should stay the same in shape, but be placed in a lower range.

This is very useful when adapting songs to suit the voice.

Octaves also help singers avoid unnecessary strain.

Sometimes a song may be too high in its original key, but completely manageable when sung lower.

Knowing this allows the singer to make musical choices rather than forcing the voice into uncomfortable territory.

Male singer performing into a microphone during a vocal performance

Octaves and Vocal Range

Your vocal range is the span between the lowest and highest notes you can sing.

Octaves are one way of describing that span.

However, it is important to understand that vocal range is not simply a competition to see how many octaves someone can reach.

Many beginners become fascinated by the idea of having a large range, especially because famous singers are often described in terms of how many octaves they can sing.

In real singing, range is only useful when the notes are healthy, controlled and musical.

A note that can be forced once is not the same as a note that can be sung reliably and beautifully.

A beginner may have a modest range at first, and that is completely normal.

With good technique, breath management, resonance work and patient training, the voice often becomes more flexible over time.

The goal is not to chase extreme notes, but to develop a voice that feels free, balanced and expressive.

Close up of a singer using a microphone during vocal practice

Why the Same Note Can Feel Different in Another Octave

A note may have the same name in different octaves, but it will not feel the same in the voice.

For example, a low G may feel comfortable and speech-like, while a higher G may require more breath energy, vowel adjustment and resonance.

The note name is the same, but the vocal coordination is different.

This is one reason why beginners sometimes feel confused.

They may think, “I can sing this note lower, so why does the higher version feel so different?” The answer is that the voice uses different areas of resonance and different muscular adjustments as pitch rises.

This is perfectly natural.

Singing across octaves requires coordination.

The voice must learn how to move smoothly from lower to higher notes without pushing, gripping or changing quality too abruptly.

A well-trained singer does not simply “reach” higher notes.

They learn how to travel towards them.

Adult singers recording together in a music studio with a vocal microphone

Octaves, Registers and Voice Breaks

Octaves are closely connected to vocal registers.

As singers move higher or lower, they may notice changes in the way the voice feels.

Lower notes may feel more connected to speech, while higher notes may feel lighter, brighter or more resonant in the head.

Beginners may also notice a break or shift between parts of the voice.

This is very common.

The voice may suddenly feel less stable, become breathy, crack, or change tone.

This does not mean the singer has done anything wrong.

It usually means the voice is learning how to coordinate different registers.

Understanding octaves can help singers approach these changes with patience.

Instead of thinking of the voice as one fixed line from low to high, it is better to see it as a flexible instrument with different areas that need to be connected.

Good singing lessons help students move through these areas gradually.

The aim is to develop smoother transitions, so the voice feels more unified across its range.

Adult singer practising octaves and vocal range with a microphone

How Beginners Can Practise Hearing Octaves

Before a singer can confidently sing octaves, it is helpful to hear them clearly.

A simple way to begin is to play a note on the piano and then play the same note name higher or lower.

Listen carefully to how the two notes are related.

They sound different in height, but similar in identity.

You can also sing simple patterns, such as moving from “do” to the higher “do” in a scale.

This helps the ear recognise the feeling of completing an octave.

Beginners should practise gently and within a comfortable range.

There is no need to jump too high too soon.

The purpose is to train the ear and voice together, not to test the limits of the voice.

It can also be helpful to sing familiar melodies in different octaves, if they sit comfortably.

This teaches the singer that musical shape can remain the same even when the pitch level changes.

Singer with curl hair hitting high note

Common Misunderstandings About Octaves

One common misunderstanding is that a singer’s value depends on the number of octaves they can sing.

This is not true.

A beautiful singer is not defined only by range, but by tone, control, expression, musicality and communication.

Another misunderstanding is that beginners should try to extend their range as quickly as possible.

In fact, forcing the voice into higher or lower notes too soon can create tension and poor habits.

Range should grow through healthy coordination, not pressure.

Some singers also confuse singing loudly with singing higher.

High notes do not need to be shouted.

They need balance, breath support, resonance and the right vowel shape.

It is also worth remembering that not every song needs to be sung in its original octave.

Professional singers often adjust keys and ranges to suit their voices.

This is not a weakness.

It is intelligent musicianship.

Singing student practising with a keyboard and studio microphone

How Singing Lessons Help You Understand Octaves

A good singing teacher can help you understand octaves in a practical, vocal way.

Rather than simply explaining the theory, they can show you how octaves feel in your own voice.

This may include gentle scale work, pitch-matching exercises, ear training, breath coordination and songs chosen carefully for your current range.

Over time, the singer begins to connect the idea of an octave with real vocal experience.

For adult beginners, this is especially valuable.

Many adults arrive at singing lessons with musical curiosity but little formal knowledge.

Learning about octaves gives them a clearer understanding of pitch, range and melody without making singing feel intimidating.

At the London Singing Institute, we help adult singers develop vocal confidence through clear, structured and supportive tuition.

Whether you are completely new to singing or returning after many years, understanding simple musical concepts such as octaves can make your learning more enjoyable and more rewarding.

An octave may be a technical term, but in practice it is simply part of how music moves.

Once you begin to hear it, feel it and sing it, the voice starts to make more sense.

Tags: Pitch in singing, Singing for beginners, Octaves in singing, What is an octave in singing?, London Singing Institute, Voice training, Adult singing lessons, singing technique, Vocal range
]]>
https://www.londonsinginginstitute.co.uk/what-is-an-octave-in-singing-a-simple-guide-for-beginners/feed/ 0
Finding the Right Song for Your Voice https://www.londonsinginginstitute.co.uk/finding-the-right-song-for-your-voice/ https://www.londonsinginginstitute.co.uk/finding-the-right-song-for-your-voice/#respond Wed, 26 Feb 2025 09:26:41 +0000 https://www.londonsinginginstitute.co.uk/?p=17640 Have you ever tried singing a song you love, only to feel like it just doesn’t suit your voice?

Maybe the notes feel too high or too low, or the style doesn’t quite fit your tone.

Don’t worry—you’re not alone!

Finding the right song for your voice is like finding the perfect pair of shoes: it needs to fit well, feel comfortable, and highlight your best features.

Woman looking through vinyls

Why Song Choice Matters

Picking the right song can make the difference between a performance that sounds amazing and one that feels like a struggle.

When a song fits your voice, you’ll feel more confident, sound more natural, and most importantly, enjoy singing it!

So how do you find that perfect song? Let’s break it down.

Woman with headphones on singing at home

1. Know Your Vocal Range

Your vocal range is the set of notes you can sing comfortably. If a song has too many notes outside your range, it can strain your voice and make singing feel exhausting.

The key to avoiding vocal fatigue is choosing songs that sit in your sweet spot—the area where your voice sounds its best and feels the most effortless.

How to Find Your Range:

Try singing along to a piano, guitar, or an app like SingSharp or Vocalist Lite.

Start at a comfortable note and go lower until your voice starts to crack or feel weak. That’s your lowest note.

Then, slowly go higher until your voice feels strained or tight. That’s your highest note.

What to Do With This Info:

Once you know your range, look up the vocal range of songs before you attempt to sing them.

Websites like Musicnotes or Singing Carrots provide key information on a song’s range, which can help you determine if it fits your voice.

If you love a song that’s outside your range, you can transpose it to a different key so it better suits your voice.

It’s also important to remember that range can change over time.

With regular vocal exercises and practise, you might be able to extend your range and sing songs you couldn’t before!

Woman screaming

2. Identify Your Vocal Strengths

Not every singer is built for every song, and that’s okay!

Some voices are rich and deep, like Adele’s, while others are light and airy, like Billie Eilish’s.

Your unique vocal qualities play a big role in determining which songs will sound best when you sing them.

Ask Yourself:

  • Do I have a bright, high voice? Try pop songs with clean, clear melodies that let your upper register shine.
  • Is my voice warm and deep? Jazz or soul might suit you well, as they emphasise rich, expressive tones.
  • Do I have a raspy tone? Rock songs could be your sweet spot, especially ones that require a gritty vocal texture.
  • Can I belt powerful notes? Musical theatre or power ballads may be a great fit, as they require strong, resonant vocals.

Understanding your strengths also means recognising what doesn’t work for you.

If you struggle with fast, complex lyrics, rap or fast-tempo songs may not be the best choice.

If your voice naturally leans towards a soft, breathy tone, trying to force a powerhouse belt might not sound or feel right.

Tip: Try recording yourself singing different songs. Sometimes, what sounds good in your head isn’t what actually suits your voice best! Compare different styles and listen for the ones where your voice feels most natural and expressive.

Woman with headphones on singing passionately

3. Pick a Style That Feels Right

Singing should feel like an extension of yourself.

If a song’s style doesn’t match your personality or vocal style, it won’t feel natural.

No matter how much you love a song, if it doesn’t fit who you are as a singer, it may not be the best choice for you.

Genres to Consider:

  • Love soft and emotional songs? Try folk or acoustic pop, where gentle storytelling takes center stage.
  • Like powerful, dramatic songs? Look into musical theatre or R&B, as they allow for big vocal moments and emotional depth.
  • Have a playful, quirky voice? Indie, jazz, or blues might be your thing, offering unique melodies and rhythms that can showcase your individuality.
  • Enjoy energetic, fast-paced singing? Rock, punk, or hip-hop might be perfect for your vocal style, allowing for rhythmic delivery and high-energy performance.

It’s also okay to mix things up. Just because you usually sing classical doesn’t mean you can’t explore jazz, and just because you love pop doesn’t mean you can’t try an indie song.

Experimenting with different styles will help you discover what truly suits you and may even expand your vocal abilities.

One great way to test this is to listen to artists with similar voices to yours and see what kinds of songs they sing.

Pay attention to what makes their voice work in those songs—do they use breathy tones, powerful belts, or soft vibrato?

Try applying the same techniques to your own singing and see if it feels comfortable.

Man holding microphone reading music lyrics in the studio

4. Pay Attention to the Lyrics

A song isn’t just about notes—it’s about the story you’re telling.

If you don’t connect with the lyrics, it’ll be harder to deliver an emotional and convincing performance.

Singing is about more than hitting the right pitch; it’s about communicating a feeling and making the audience believe what you’re singing.

Ask yourself:

  • Do these lyrics mean something to me? If you don’t personally relate to the words, you may struggle to sing them with conviction.
  • Can I express this song authentically? If a song feels too forced or unnatural, it may not be the right choice.
  • Would I feel comfortable performing this in front of people? If the lyrics feel too personal or too distant, you might not be able to fully commit to the performance.

A great singer can take a song and make it their own by bringing genuine emotion into their performance.

That’s why some cover songs sound just as powerful (or even more so) than the originals.

It’s not about copying someone else—it’s about interpreting the song in a way that feels true to you.

Try reading the lyrics of a song like poetry before you even start singing.

If the words move you, chances are you’ll be able to deliver a more heartfelt and compelling performance.

Group of female singing and having fun

5. Experiment and Have Fun!

The best way to find the perfect song? Try different ones!

Don’t be afraid to experiment with different genres, tempos, and keys. Every singer has their comfort zone, but stepping outside of it can lead to exciting discoveries about your voice.

Ways to Experiment:

  • Sing Along with Different Artists: Even ones outside your usual style. You might find unexpected strengths!
  • Try Different Tempos: Sometimes, a fast song sounds better when slowed down, or a ballad feels more natural with an upbeat twist.
  • Use Karaoke Tracks: This removes the original singer’s voice so you can focus on how the song fits YOUR voice.
  • Sing in Front of a Friend: Sometimes, others can hear things you don’t and can offer valuable feedback.

Finding the right song isn’t just about technical fit—it’s about what excites you and makes you want to keep singing.

Some songs will naturally bring out the best in your voice, while others may feel like a struggle.

The goal is to find the ones that make singing feel effortless and enjoyable.

Music teacher

Develop Your Voice with London Singing Institute

If you’re committed to finding the right song for your voice and want expert guidance to refine your technique, professional training can make all the difference.

At London Singing Institute, we specialise in adult singing lessons in London, offering structured, high-quality vocal training tailored to each singer’s unique style and strengths.

Our experienced instructors provide personalised lessons across various genres, including classical, musical theatre, jazz, pop, and rock, helping you discover your true vocal identity.

Whether you want to build confidence, expand your range, or prepare for performances, we ensure that every lesson is designed to bring out the best in your voice.

If you’re ready to take your singing to the next level and find the perfect songs to showcase your voice, contact us today to start your journey with adult singing lessons in London!

Man singing against yellow background

Final Thoughts

Finding the right song for your voice is about more than just hitting the notes—it’s about finding a song that showcases your strengths, suits your personality, and makes you feel confident.

The best singers aren’t the ones who can sing the most difficult songs—they’re the ones who know how to pick the right songs and make them their own.

So go ahead, explore, and sing your heart out!

Tags: Finding the right song for your voice, vocal tips, Vocal range, Singing Tips
]]>
https://www.londonsinginginstitute.co.uk/finding-the-right-song-for-your-voice/feed/ 0
7 Vocal types and how to determine yours https://www.londonsinginginstitute.co.uk/7-vocal-types-and-how-to-determine-yours/ https://www.londonsinginginstitute.co.uk/7-vocal-types-and-how-to-determine-yours/#respond Fri, 30 Oct 2020 10:15:10 +0000 https://www.londonsinginginstitute.co.uk/?p=5007 As you begin to develop your vocals, learning more about your range, vocal style and other unique characteristics will assist you on your journey to become a better vocalist.

Getting to know your singing voice will help to find songs for your vocal range that highlight your best qualities, avoid straining and identify areas for improvement. You can also find your vocal range and famous singer match that may give you some ideas on how to use and train your own voice. Although you may have previously heard of the main voice ranges for males and females, there is so much more to your vocal that determines its unique type and sound. In this article, we will help you identify your vocal range and discover other aspects of your voice, so you can get to know your own instrument and plan your development with this information in mind.

What are the 7 vocal range names?

Male vocals are split into these 4 ranges:

  • Bass – these vocals have a characteristic, low rumble, producing a tone you’d almost expect to hear from a subwoofer. True bass vocals aren’t very common, however, a great famous example is Barry White.
  • Baritone – smooth and rich, baritone vocals have a good amount of ‘weight’ to them while maintaining the ability to hit higher notes, especially with proper training. Nat King Cole and Tom Jones are great examples of baritone.
  • Tenor – among the highest of male voices, tenors are popular in modern pop music due to their lighter tone and flexibility to hit beautiful top notes and falsettos. Michael Jackson, Stevie Wonder and Luciano Pavarotti are all well-known tenor singers.
  • Countertenor – just like bass, countertenor isn’t very common among men and is characteristically lighter and higher than a tenor. Singers like Vitas might be a good contemporary example, however, with its origins in classical and choral music, countertenors are not quite as common in commercial music.

Female vocals are usually classed into 3 ranges:

  • Contralto – the lowest female vocal range, a contralto is distinctive with its rich low notes and can be less common than other vocal ranges. It’s often confused with alto, so it’s important to clarify that alto is actually used to identify choral parts and isn’t considered a vocal range in itself. Great examples of contraltos include Annie Lennox and Nina Simone.
  • Mezzo-Soprano – this is perhaps the most common vocal range for females and it’s characterised by ability to sustain lower notes as well as some impressive high notes. This vocal range is popular in pop music with famous examples featuring Rihanna, Selena Gomez and Madonna.
  • Soprano – light, yet powerful in the higher register, sopranos possess the highest female vocal range. Well known examples of this range include Bjork, Mariah Carey and FKA Twigs.

So, how can you determine your vocal range?

It is quite easy to do, especially if you have an instrument at your disposal that can play a large range of single notes. A piano or guitar is perfect, however, if you don’t have one, you can download a digital piano app that will work just as well for this exercise. Before you do this, make sure to perform some vocal warmups, as you’ll be going through your entire vocal range, which may put a strain on the vocal cords. If you’re using the piano keyboard, find the middle C (also known as C4). Try to sing a vowel sound like ‘ah’ and work your way down every note, including the black keys (or flats and sharps). Exploring your lower range first will help you warm-up for the task before stretching into your upper range. See how low you can go, while singing comfortably, which will determine the lowest note in your range. Do the same again from middle C, but this time, go up note by note. Again, the highest note you can reach comfortably will be the highest note in your range. Remember to include falsetto register as it also counts towards it. Here’s an approximate span of common vocal ranges:

  • Bass – E2 to E4
  • Baritone – A2 to A4
  • Tenor – C3 to C5
  • Countertenor – E3 to E5
  • Contralto – F3 to F5
  • Mezzo-Soprano – A3 to A5
  • Soprano – C4 to C6

Of course, these are simplified, approximate vocal spans and it’s likely that your voice falls a little outside of these barriers. Similarly, don’t get discouraged if your vocal range is a little smaller. Though many incredible vocalists like Mariah Carey boast an impressive vocal range of 4 octaves, a larger range doesn’t automatically mean better vocal quality. It’s possible to extend your range slightly, but it’s more important to develop a proper technique and control of your voice to sound your best.

So, is this enough to determine your vocal type? Not exactly.

Your vocal type – transitions, tone and tessitura

Commonly, the different vocal ranges will overlap – an alto will be able to reach some of the notes sung by sopranos and so on. While your vocal type is connected to your vocal range, there are other factors to consider when you are trying to get to know your singing voice. Your vocal type and, to some degree, the range, are determined by tessitura, which is the ‘sweet spot’ of your vocal, where you are most comfortable and the vocal shows off its best qualities. Although vocal ranges will overlap, the tessitura of the countertenor, for example, will be higher than that of a tenor.

Our vocal types also differ based on the transitions we experience as we move through the registers and where these transitions happen in our vocal range. Do you find that you’re able to belt in a certain range, while, as you move higher, your voice naturally approaches the notes in falsetto style? It’s important that you’re aware of these register changes and are able to use your voice effectively.

Have you noticed that some singers have a different tone and sound heavier or lighter, even though they sing the same note? An easy way to explain this is by comparing different instruments. A baritone saxophone and an alto saxophone might be able to reach similar notes in their range, but their tone is different. The same goes for vocals. Some vocalists also find it easier to project huge, belting notes, while others would have a softer approach. As singers, we have our own unique tone that makes us stand out from the rest, and it’s important we choose a repertoire that highlights our best qualities.

Finally, our speech level voice is one that we are most comfortable using every day, and it can help us determine our vocal range since we would normally talk within the confines of our tessitura.

What does this mean for you?

Firstly, understanding your vocal range will help you transpose vocal exercises and songs to suit your range, therefore, avoiding unnecessary straining and potential damage to your voice. It’s important to remember that straining in our upper range is typically more damaging than straining in our lower range. Identifying your ‘sweet voice’ or tessitura, as well as the unique tonal qualities and register changes, go one step further. Possessing this knowledge of your voice will help you pick out a repertoire or write songs that highlight the best qualities of your voice and really impress the listener. While proper vocal technique and training are crucial, getting to know your voice and how to use it will make you stand out and sound your best, as you will be singing in the style and range that suits you perfectly. If you are unsure about your vocal range, type, or notice any issues that you’d like to work on, the best thing to do is find a vocal coach that will work with you to tackle any problems. Online advice can be great, but the person behind the screen of an online tutorial has never heard you sing before, so they wouldn’t be able to identify the vocal qualities that are unique to you or focus on the things you struggle with in particular.

Tags: Singing range, Vocal types, Vocal range
]]>
https://www.londonsinginginstitute.co.uk/7-vocal-types-and-how-to-determine-yours/feed/ 0
The Three R’s: Register, Resonance and Range https://www.londonsinginginstitute.co.uk/three-rs-register-resonance-range/ https://www.londonsinginginstitute.co.uk/three-rs-register-resonance-range/#respond Mon, 25 Mar 2019 17:41:49 +0000 https://www.londonsinginginstitute.co.uk/?p=4106

In this post, I will be discussing vocal registers, resonance and range, and how you can use the different registers of your voice and resonating areas to sing with ease and create a spectrum of variating sounds. So, while you may do some training to work towards achieving one consistent voice, you can also explore techniques to bring out other desired tones and colours to offer a multitude of voices!

Range

If you have ever sung in a choir you have probably been organised into one of the voice types below. When learning to sing we fall into many different classifications of vocal type or range such as;

  • Soprano, Range: B3 – G6
  • Mezzo-Soprano, Range: G3 – A5
  • Contralto, Range: E3 – F5
  • Countertenor, Range: G3 – C6
  • Tenor, Range: C3 – B4
  • Baritone, Range: G2 – G4
  • Bass, Range: D2 – E4.

These voice types indicate the scope of how high or low you voice can go and the breath of pitches you can sing. Within this vocal range, you will also hear different textures and characteristics, these are your vocal registers which we will discuss next.

Vocal register

A vocal register is a part of your vocal range produced by different vibrating patterns in the vocal folds. These registers are known as;

  • vocal fry
  • modal voice /chest voice
  • mixed voice
  • falsetto
  • head voice
  • whistle

They occur between different pitches in your vocal range as the vocal folds vibrate in different ways (e.g. when moving from low to high). We can also understand our registers by feeling a resonance in the body, a certain timbre or vocal quality, and by obvious vocal breaks (which prior to training may be a pronounced indication of when the voice is switching register). For example, have you ever been singing, and as the melody moves higher in pitch you suddenly hear an abrupt change in sound, and a creek, or crack and possibly a thinning of vocal quality? If like 99% of us that is a yes, then what you are experiencing is a change in register as your vocal folds start vibrating differently, to access a higher pitch. With professional training, we try to smooth out this obvious break with different techniques, here is one you can try at home:

Try singing a siren sound (like a big slide from the bottom to the top of your voice) to an ‘ah’ in your lower register, then to an ‘oo’ just before you think your break is going to occur and then all the way up into your high register – then change to an ‘ah’ on the way back down. You might not get a smooth transition straight away, but with practice and diaphragm support you should find this a useful exercise in smoothing out your vocal break.

 

While we work towards achieving this smoother transition, and what is called a ‘mixed voice’, it is also important to note that you might occasionally want to emphasise this break, to add certain emotional vocal qualities for stylistic reasons.

So, we mentioned earlier the term resonance areas in relation to the body. Like all instruments the voice has a resonator, and this can enhance or dampen sounds, and brighten or darken them. However, what makes the human voices resonator unique to other instruments is that it can actively change shape. As we previously discussed male and female voices can roughly be divided into three registers, the chest, head and falsetto for men, and the chest, middle and head for women. When you sing pitches that sit in one of these registers, you should also feel the sound resonate as a physical vibration in the body. The main areas of resonance are the head (when singing in a head voice or falsetto), and the chest when singing in the chest voice. In addition to these areas sound also resonates in the ‘vocal tract’, the vocal tract is a container of air that starts from the top of the vocal folds and goes all the way to the edge of the lips. Sound is created at the vocal folds and travels through the vocal tract and out of the mouth. For example, one part of the vocal tract which can alter the quality of the sound we produce is the nasal region, or your ‘mask resonator’ as it is sometimes called. You may feel a buzz in the front of you face and notice a brighter, nasal quality to your singing if using this resonating space.

However, while we feel a sense of resonance in these areas, as they are cavities and not physical openings the resonance is identified more as a feeling of vibration or buzzing. A simple exercise you can try to begin to feel how sound vibrates and then resonates in the body is;

Try humming from low to high with one hand on your chest and the other on your nose. As you slide through different registers try to feel where the sound vibrates the most as you move through different pitches and resonating cavities. You might initially feel a strong vibration against your hand on your chest, and then a buzzing in your head!

Placing Sound

Learning to feel resonance, and using it to create volume is key to healthy singing technique. It is the vocal folds that get tired, not the air inside the vocal tract, so finding resonance spots to help achieve natural projection is important for efficient singing.

You can do some exercises to explore different placements of the voice. This exercise will start by focusing in on the front of the face and nose and moving back towards the throat. To visualise the placements, place your thumbs on your chin and move your index fingers in the position as described below as you sing a five note major scale (one note per position). Then focus on the place where the index finger is positioned, and feel the sensation of where that sound is being placed. For example, as vocal instructor Katrina Schmidt’s exercise details;

  1. The index finger is placed directly behind the nose; the sound should be brilliant and bright.
  2. Place your index finger on your cheek bone to feel sensations in the front of the cheeks and in the front of the mouth.
  3. Place your index finger in front of the ear at the jaw joint to feel sensations farther back in your cheeks and mouth.
  4. Place your index finger behind the ears to feel sensations even farther back in your mouth.
  5. Place your index finger on your neck, just below the jaw parallel with your ear, to feel in the back of your mouth (they will sound dark and fuzzy). 1

Overall, this exercise allows you to explore the vibrations and physical sensations of where you voice is placed when you sing different pitches. With this, and the other exercises and information above, you can begin to understand how your voice range, registers and places of resonance all work together – and how you can control and manipulate them to sing safely, more effectively and with varied tone and colour!

Tags: Vocal register, Vocal resonance, Vocal range, Vocal placement, Vocal fry
]]>
https://www.londonsinginginstitute.co.uk/three-rs-register-resonance-range/feed/ 0